The Kodachrome Project A wonderful and lasting body of photography that speaks not only of the Kodachrome era, but what can be done to bridge it with future ones, for there will never be another Kodachrome. Kodak wants to celebrate the rich history of this storied film. Feel free to share the fondest memories of Kodachrome. Information on how long a Kodachrome slide should be used in a projector, or what are the storage conditions to preserve the colors from fading. Examples of original Kodachrome slides from until Please join our voyage of discovery over 70 years of history of both aviation photography and Kodachrome. Kodak introduced a projector for them in February , and Kodak glass slide mounts were introduced in April
Kodachrome Slide Film
Get an Estimated Date for the Photo This isn't as hard as you would think it would be. There are a few easy ways to identify especially old photos given how fast the photographic processes changed during the late 's and early 's. For more recent photos, you'll need to rely on clues from the photo itself: Sepia or Crisp Black and White? Matte or Glossy Finish? As with the sepia tones, most photos before the early 's came with a matte finish vs. Color or Black and White?
How to Identify Your Photo, Slide and Negative Formats -
This allows the photograph to be viewed by a large audience at once. The most common form is the 35 mm slide, placed inside a cardboard or plastic shell for projection. Early slide projectors used a sliding mechanism to manually pull the transparency out of the side of the machine, where it could be replaced by the next image, and it is from this that we get the name "slide". Modern slide projectors typically use a carousel that holds a large number of slides, and viewed by a mechanism that automatically pulls a single slide out of the carousel and places it in front of the lamp. Standard 35mm film, such as Kodachrome, Ektachrome and Ansochrome transparencies from the 's, 's and 's are commonly in 2" by 2" slides with paperboard mounts, usually stamped with Kodak identifying information.
View-Master History Although today considered a toy, View-Master began it's commercial life in as a home-entertainment medium intended as much for adults as for children. Invented by William Gruber and marketed by Harold Graves through Edwin and Fred Mayer's photo-finishing, postcard, and greeting card company, Sawyer's, View-Master was a successor to the stereograph viewer popularized in the 19th century by Oliver Wendell Holmes. But View-Master was an improvement over the traditional stereograph; it offered seven stereo views on each reel, compared with the stereograph's one view per card, and provided them in color by using Kodak's then- new color transparency film, Kodachrome. From to , View-Master reels were sold individually. In Sawyer's bought out the rival Tru-Vue company, which produced stereo views on 35mm film strips.